Shanghai fashion power 100 people Deng Yanyan
Let the building show the beauty
When he went to Deng Yanyan, he greeted me very friendly outside the gate and then turned around to introduce me to the house where he lived. This stone-built building was originally the Japanese consulate in Shanghai at the end of the Qing Dynasty. It is a U-shaped building. Before the liberation, it was the Asia-Pacific Economic Society. From the stairs of the main gate, you can see the back of the stone building, and the U-shaped building is a glimpse of the water. This three-storey red brick building with a penthouse hanging from the "red building" plaque was originally a military guest house. It is the office of some private companies. There is only one bathroom for men and women on the first floor. This feeling is very similar to the dormitory of the previous university. For most Shanghainese, it is no longer suitable for such a simple residence. Deng Yanyan set up a real estate in Shanghai, but now it is empty there, neither renting nor wishing to see him in his eyes. The house designed and built after the opening of Shanghai in 1993 is not so Shanghai.
"I decided to stay in Shanghai because I really like the Western architecture in the history of the Shanghai concession. They are not only magnificent and magnificent, but also very delicate and elegant inside, so I have been trying every possible way to find such a house." The large-scale environmental design studio moved to the old warehouse on the Suzhou River in Huangpu District. Deng Yanyan decided to find a house on the Huangpu River in Huangpu District. At that time, except for the Seagull Hotel and the Soviet Consulate, it was left. These buildings, "I have painstakingly grinded them to lend me the house."
Because it is an old house, the height of each floor is more than 5 meters, the space is very open, and there are also many pillars and pillars in the room to decorate the pattern. He said that the building itself is beautiful. It is the true history and the master of the city. I am just a passer. The only thing I should do is to let the building show its beauty.
Deng Yanyan file
As an architect, Deng Yuyan’s name was well-known in Taiwan in the 1970s. His “old-fashioned coffee shop†and “modern apocalypse cafe†caused great shocks in the construction industry and became the Taiwanese restaurant industry. The revolutionary work of interior design, its postmodern style is still the most distinctive and innovative in Taiwan. In the 1980s, Deng Yanyan was a banner of Taiwan's architectural circles: "Taiwan's modern design pioneer" and "liberation city" "The master of space" and a series of laurels are worn on his head. At the same time, he is highly sought after by the fashion industry. As long as the media has a selection, he must be "the most tasteful man" and "the most valuable bachelor". However, when he was hot, he rationally chose the wandering world. He found what he wanted and saw the building he wanted to see. He traveled all over Europe, America, Asia and finally stayed in Shanghai. In 1997, the large-scale environmental studio he led was completed in the dilapidated old warehouse on the banks of the Suzhou River, once again attracting the attention of the international media. People compared the Suzhou River to the SOHO in New York, and Shanghai was injected with Deng Yanyan. The meaning of humanity and art in the new era.
Study room living room a mountain, a cloud
The room facing the second floor of the red building is Deng Dengyan’s study. This room was originally rented by tenants. Not long ago, the building was in flames and the tenants moved away, so Deng Yanyan rented it. It used to be the reception room of the office of the Consulate of the Japanese Consulate. The beams and columns in the room are very delicate and gorgeous. Of course, people who know it need to know and cherish.
Before Deng Yanyan moved in, it was a little different from the original construction. For example, a row of three floor-to-ceiling windows and doors across the gate was originally a large balcony along the Huangpu River. I don’t know which year to add a layer of copper. The steel window has become indoors, there is no terrace, and the three large terraces are separated into three small offices. The large space inside is also separated like a dense cage, just like when it was stationed. Like the old warehouse, the first thing Deng Dengyan did was to dismantle and restore, and let the space and decoration return to the original appearance.
The flower decoration on the beam column was neglected because of the long time. Deng Yanyan re-patched him back, and then brushed the simplest white lime water. The indoor teak siding was also the same, and the damaged place was added a little. He then asked the person to brush the floor out of the original wood grain, try to make it reveal the traces more than 100 years ago.
In this 150 square meter space, there are no other than four pillars. Because it is a study and living room, there should always be places to sit down and draw pictures, but how can we not destroy the beauty of the building? Deng Yanyan considered it for a long time, and also drew a few sketches. After all, she felt that it was not appropriate and gave up.
When Deng Yanyan pushed in the door, a special light white paper stuck in front of my eyes like a mountain. This is a partition with a screen function, but this piece of light white paper is made of bamboo rafts of different lengths. Supported by a diagonal one, it makes people feel refreshed. Looking up the "Snow Mountain", a "Auspicious Cloud" floats in the sky of the room. It is a copper cloud lamp with natural wrinkles supported by a straight or oblique bamboo pole. Standing at the door, I feel more here. A little bit of gorgeous psychedelic atmosphere on the verge of decadence, I forgot the place where I was, all the blood vessels open, but my thoughts wandered slenderly, I really want to sit down, order a cigarette, drink a bite.
There is no physical structure and fixed installation in the room. It is empty, just moving back from the studio. A large workbench is placed in the middle of the room, and then the computer is installed. Several Chinese-style official hat chairs are on the right side of the main entrance. The wall is backed by the simplest bookshelves, with books that need to be read and flipped, so that the space is returned to nature.
Deng Yanyan emphasized the role of lighting in the study, but these spotlights all face the ceiling, our vision is inadvertently looked up, those beautiful pillars of the door panel, the ceiling gypsum decoration becomes surprisingly Charm. This is Shanghai in the heart of Deng Yanyan. It is the city life in the jazz rhythm. I don’t know what others will look at. I am in agreement with his sentiment about Shanghai: a little extravagant luxury, a little drunken dream, a little helplessness helpless.
In the big room, except for the six chairs, there is no place to sit. The architect may have thought of this and the idea of ​​playing the balcony came. Because the terrace is a separate space, it will not damage the indoor environment. It can be used as much as you like. It is transformed into a Japanese-style tatami, so that this space also continues the spacious atmosphere of the room. It becomes a leisure area where you can sit down and enjoy the scenery outside the window. It is really his sagacity.
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